Get ready to start college by listening, watching and enjoying these touchstones of popular culture.
Fragmentary posthumous recordings are more usable than ever. Do they belong in songs the artist never heard?
Despite ambitious marketing and an intriguing premise, "Brightburn" is ultimately disappointing.
“The Act” doesn’t carry the same storytelling heft as some of its true-crime counterparts.
Though less overwhelmingly sappy than many biographical films, “Tolkien” still catered more to moments of grandeur than to gradual change and growth.
The show managed to find the perfect middle ground for discussing social issues and delivering punchlines without making viewers feel like they are watching an after-school special.
One of the world’s biggest franchises comes to the big screen, and a total newbie reviews it.
After a six year hiatus, “Father of the Bride” doesn’t sound quite like anything Vampire Weekend has made before — but it also never sounds quite sure of itself.
These songs will make you regret all those times you wished the school year was over.
Lauren Camp will be in the Shenandoah Valley for 11 days, starting with a reading at New Dominion Bookshop May 11.
The Millers Arts Scholars presented their impressive and diverse projects Sunday evening in Culbreth Theater.
In "Arizona Baby," listeners find themselves situated right into the American South, which is at the root of Kevin Abstract’s identity.
If the plot sounds difficult to keep track of, don’t worry — keeping track isn’t really the point.
Mem Gym allowed for an intimate feel throughout the entire concert, which was quite well-aligned with the inviting mood of Caesar’s music.
In an era defined by religious influence in popular music — from “Ultralight Beam” to “God’s Country” — the message of “Amazing Grace” resonates.
Not every band playing on Saturday was great, but every band undoubtedly played their heart out and made Rockn’ to Lockn’ extraordinary.
Having the work be so public is something all involved hope will help rewrite the perception that the University is not a leader in sustainability.
The outstanding feature of the U.Va. Drama production — which began its run at Culbreth Theatre April 18 — was the ability of the ensemble cast to express the eccentricities of their respective characters.
Coachella is a concentrated example of society’s current values and our diminished attachment to the music we consume.
The only criticism that this album could justifiably receive is that it’s pretty plainly a radio darling.
