“The Search for Everything” is not likely to convince any John Mayer skeptics of his talent, and it is not likely to create doubt for any Mayer diehards.
The group’s fifth studio album, while not an obvious failure, lacks all of what made Little Dragon so notable in the first place.
Kendrick Lamar Duckworth is without a doubt the the most polarizing rapper of his generation.
Lady Gaga’s newest single, “The Cure,” was announced last weekend amongst the fanfare of a roaring Coachella crowd and subsequently released overnight with nothing more than a digital whisper.
“Seats at the Table” — a new documentary previewed at the Tom Tom Founders Festival that is set for official release in 2018 — chronicles the conversations between University students and inmates at a maximum security juvenile correctional center.
Since its modest beginnings as a low-budgeted “Point Break” ripoff, the “Fast and Furious” franchise has evolved — amping up the spectacle so many times that the latest entries do not remotely function on the same scale as their predecessors.
“Memories ... Do Not Open” is the The Chainsmokers' first full-length record, with only three previously released singles on the tracklist.
In his new Netflix special “Louis C.K. 2017,” comedian Louis C.K. delivers the same masterful and somehow uplifting gloom fans of his dark humor love — but now he’s in a suit and tie.
Lucy Dacus is quickly becoming Richmond’s foremost rising music star.
Father John Misty just falls short of his potential. If his goal was to craft a painfully honest and scathing social critique, he has succeeded.
As a prominent choir at the University, the University Singers has performed for multiple famous figures.
The season three premiere of “Rick and Morty” revives what cult audiences of Justin Roiland and Dan Harmon’s animated science fiction sitcom love — the unexpected.
The empowering depiction of female camaraderie is undoubtedly the crowning achievement of “Big Little Lies.”
While Goldfrapp’s latest album, “Silver Eye,” is neither straightforward nor consistently exciting, it harkens back to the sultry, experimental sounds the duo pioneered in the early 2000s.
About a week after releasing the single “The Heart Part 4,” Kendrick Lamar has returned with a new release, “HUMBLE.”
Oh Wonder’s sound in its self-titled debut record was simple, clean and safe. Lately, though, the duo has stepped up its game.
Last Friday, producer and artist-in-residence 9th Wonder gave a lecture in the Rotunda titled “The History of Hip-Hop.”
Netflix released its new drama “13 Reasons Why” March 31, and the series offers a raw, addicting view of the darker aspects of high school life.
“Crawl Space” is an impressive evolution in the genre of Tei Shi’s self-descriptive “mermaid music."
Logic’s newest single offers a glimpse into the artist’s upcoming project by the same name.
